In today’s quick tip tutorial, I’m going to show you how to use one of the great new features of Adobe Illustrator CS6, gradient on stroke, to create a 100% vector Drop Shadow and Inner Glow.

Introduction Design Vector Drop Shadow with Illustrator CS6 Tutorial

In today’s quick tip tutorial, I’m going to show you how to use one of the great new features of Adobe Illustrator CS6, gradient on stroke, to create a 100% vector Drop Shadow and Inner Glow.
So let’s get to it straight away.

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Taking Apart the Drop Shadow

Before we get into how to achieve this drop shadow, we need to understand what actually happens when we use a Drop Shadow effect in Adobe Illustrator at present and why it isn’t completely vector.
So you’ve drawn a random object, in this case I’ve used the Star Tool and you want a drop shadow on it. To get this go to Effect > Stylize > Drop Shadow and you’ll get the blow dialogue box to modify your drop shadow as you wish.
However if you were to apply this effect and then Object > Expand it and drill down into the group it produces, you’d notice that it contains a raster element. This is the object labeled "Image" which you can see below.
In fact if you hide the "Image" you’ll just be left with the original shape. So what actually happens?
What actually happens when you apply the effect is Adobe Illustrator duplicates the shape and then changes the fill color to say black in this case. It then rasterizes the object, blurs it and offsets it. Then the shape is combined with the original to produce Live Effect Drop Shadow. This means you can go back into the options of the Drop Shadow via the Appearance panel to modify anything from the drop shadow fill color, blur and so on. The same is true when you create an Inner Glow effect.

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100% Vector Drop Shadow – CS5 Style

If you’re a regular reader of VectorTuts+, you may have seen a similar tutorial title a couple of years back. In fact I did a video quick tip tutorial on how to create a 100% vector drop shadow in Adobe Illustrator CS5. This is done by making use of "Align Stroke Outside" in the Appearance panel.
You can apply a similar process to create an inner glow effect, just by using "Align Stroke Inside".

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100% Vector Drop Shadow – CS6 Style

So how can we achieve a Drop Shadow in CS6? Simple, by duplicating your shape and giving it say a black fill and then a black transparent linear gradient stroke set to "Apply gradient across stroke".
There are a couple things you need to keep in mind. You can’t "Align Stroke Outside" with a gradient. To get around this you’ll need to ensure your Drop Shadow color, in this case black, is the most central Gradient Slider and at 100% Opacity. Other than that, you’ll find you can increase the Drop Shadow "blur" by playing with the Stroke Weight and even the Gradient Sliders along the top.
Let’s just look at this a little more closer and Object > Expand our Gradient on Stroke. When you do this, you’ll notice the Gradient on Stroke is just a Gradient Mesh! So not a raster element as the Live Effect Drop Shadow uses. This makes it a vector Drop Shadow.
To prove furthermore it’s a Gradient Mesh and one you can actually edit, I’ve used the Direct Selection Tool (A) to select all the points in the corner of our mesh and changed the color to blue.

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100% Vector Inner Glow – CS6 Style

If only you could use "Align Stroke Inside" with Gradient on Stroke, because creating an Inner Glow would be a lot easier. However as you can see from the below, the option is greyed/nulled out. So to create an Inner Glow first duplicate your original shape. Then put your fill on as normal and then "Apply gradient across stroke" with the previously used transparent linear gradient. Give the stroke only a Blending Mode and Opacity.
Use the duplicate of the original shape to then create a Clipping Mask (Command + 7) and there you’ll have your Inner Glow.

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Conclusion

Why would you want to do this? Well if you’re a vector freak like me, the thought of having any raster elements in your work makes your skin crawl and you’d like to go that extra mile to ensure every part of your work is vector. Maybe I’ve just confessed to some bizarre vector OCD. Anyway other than that, it’s just a bit of an exercise for those who like to exercise their scalable brains. I hope you’ve enjoyed this tip!

In this movie Ill how you how to delete and organize art boards from the Artboards panel. 

they are in regular alignment once again.
Ive saved my progress as 10-page jumble.ai.
Again, its found inside the 02_artboards folder.
The reason I saved these progress files, by the way, is just in case youre dropping in
on a single movie, and you dont have a progress file of your own.
Im going to start by getting my Artboards panel out of the way by clicking on this little
double-arrow icon there. Now switch back to the Artboard tool, and notice that Artboard 10 is selected in my case.Illustrator CS6
I want to show you couple of other options that are available to you.
If you go up to the Object menu, and you choose Artboards, youll get the submenu of commands,
including this one here Fit to Artwork Bounds.
And thats going to go ahead and expand the Artboard so it encompasses every bit of artwork
inside your document. And thats not the effect I want but I wanted to show you that the document is there. Ill go ahead and press Ctrl+Z, or Command+Z on the Mac, to undo that change.

Illustrator CS6 Tutorial Video

Here is another option thats available to you.
If you want to scale an artboard so it exactly encompasses the stuff inside of it, you double-click
on it, like so, Now you may ask me well, how is that artboard exactly encompassing that zero.
When youre working with Type inside of Illustrator cs6, the program is always consulting essentially
all the characters in that font.
A lowercase G, for example, would have a descender that comes farther down, and there might be
other characters that have ascenders that go higher up.
And the way you can confirm this is to switch back to the Black Arrow tool here, and then
Id just go ahead and click on the baseline of the zero, and notice that I get this big
bounding box and that bounding box shows me exactly how big Illustrator cs6 thinks that character is.
Im going to press Shift+0 in order to switch back to the Artboard tool, and Im going to
press Ctrl+Z, or Command+Z on the Mac, to undo that change.
Here is what I really want to do.
I want to go ahead and automatically arrange all of these artboards, and I can do that

Illustrator CS6 Tutorial Video

by once again going up to the Object menu choosing the Artboards command, and then choosing
Rearrange, and Ill get this dialog box here that features those same options that we saw
inside the New Document dialog box, so I can change the arrangement of my artboards if
I want to, but Im happy with the existing layout.
What I want is to have five columns instead of four so that Ill have five columns in two rows of course. Illustrator CS6 
And then Im just going to go ahead and increase the Spacing value as well to 1/2 inch like that.
So 1/2" meaning that you have the press Shift along with the quote key.
I do want to move the artwork along with the artboards so Ill leave this check box on,
and then Ill go ahead and click OK, and that takes care of my problems automatically.
And just so that you know, if I bring back up the Artboards panel which I can get by clicking on what is by default, this lowest icon here in this column of panels, and then
I click on whats known as the flyout menu icon in the upper-right corner of the panel.

Illustrator CS6 Tutorial Video

I also have access to the Rearrange Artboards command here, so a little more convenient many times and that brings up that same dialog box that we saw just a moment ago. All right, Im going to cancel out because I dont want to mess things up now that Ive gotten everything perfect. That is how you take advantage of automatic artboard
modifications here inside Illustrator CS6. 
Illustrator CS6 

Today we will learn the new features of the tracing engine in Adobe Illustrator CS6 and talk about its new functions. We will trace a photo, a sketch and a texture; then we will compare the results between Adobe Illustrator CS5 and CS6. Let’s get started!

In this tutorial I’ll use a photo a strawberry (credit to deviantART user StockProject1) ; the sketch was kindly provided by Victoria Vasilyeva and the texture (credit to deviantART user ~kingkool6).

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Step 1

In Adobe Illustrator CS6 the settings of the tracing is in the new Image Trace panel (Window > Image Trace).
This allows us to use other panels and tools while tracing. Such features did not exist in Adobe Illustrator CS5 as well as in earlier releases; the setting of the tracing was made in the Tracing Options dialog box, and then it was impossible to access the other objects and interfaces.

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Step 2

The presets have also changed between Adobe Illustrator CS5 and CS6
The new preset, "Silhouettes" allows quick creation of vector silhouettes.
After the Expand command we get the vector object with the optimal amount of points.

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Step 3

Let us evaluate the quality of the tracing using the same preset High Fidelity Photo in Adobe Illustrator CS5 and Adobe Illustrator CS6.
Note, in Adobe Illustrator CS6 you can set several of the Palette values. This parameter sets while the vector image is been made in color or in greyscale. As you can see, the new tracing engine in Adobe Illustrator CS6 shows better results.
There is a new feature in Adobe Illustrator according to which you can instantly check out your original image. To do so, press and hold the eye icon near the View option.

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Step 4

There were some changes in the Colors parameter. This parameter specifies the number of colors which the final vector image will consist of. In Adobe Illustrator CS5 the Max Colors options can be set in the number values, in Adobe Illustrator CS6 the Colors option can be set accurately in percentage.

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Step 5

You can get access to additional options of the settings if you press the Advanced key in the Image Trace panel. Now we have an opportunity to choose a tracing method. The Abutting method creates cutout paths. The contours of neighbor objects match.
The overlapping method creates stacked paths, the contours of neighbor objects overlay.

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Step 6

The Path Fitting option defines the accuracy of the tracing of the initial raster image. In Adobe Illustrator CS5 the smaller value allows to create a more accurate contour, the bigger- the rough contour. In Adobe Illustrator CS6 it is vice versa, the bigger the value is the more accurate contour we get.
The Minimum Area option corresponds to the Noise option in Adobe Illustrator CS6. This option specifies the size of the smallest areas of the initial image, which will be taken into account while tracing.
The Corner Angle option in Abode Illustrator CS5 corresponds with the Corners option in Adobe Illustrator CS6 and is been set in percentage. The higher value we set, the bigger amount of angles the final image will have.
In Adobe Illustrator CS6 there are no such function of the tracing as the Blur and the Resample. In Adobe Illustrator CS5 the Blur function is for the reducing the number of small artifacts and smoothing the jagged edges in the final image. The Resample option allows speeding up the process of tracing for big size images, losing the quality of the output image.

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Step 7

Let’s see how the new tracing engine works with sketches. Apply the preset Black & White Logo. The tracing of the sketch in Adobe Illustrator CS5 shows good results.
When we use the same preset in Adobe Illustrator CS6 the majority of small details disappear.
Unfortunately, you need to change the parameters of the tracing manually in order to get the same results in Adobe Illustrator CS6.

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Step 8

Let’s try to make the tracing of the texture. We will use the same Black&White Logo preset. As we can see, the result of the tracing in Adobe Illustrator CS5 looks better than in Adobe Illustrator CS6
I’ve used different presets and operated the parameters manually, but I still couldn’t get the result which would correspond to the result that can be made in Adobe Illustrator CS5.

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Conclusion

The new tracing engine really works good with the photos and allows quick and accurate vector silhouettes. But when you use it for tracing sketches and textures you will need to operate all the tracing processes manually, and that will not always show good result. If you work with the sketches and textures, the Live Trace feature in Adobe Illustrator CS5 shows good results when you use the presets. Have you used the trace features in Adobe CS6 yet? If so, what do you think?

Adobe Bridge CS2 Icon

This tutorial will show you how to replicate the Adobe Bridge icon in Illustrator CS6 using the same techniques as the Photoshop Splash Page tutorial. You will be surprised how easy it is to create such as complicated icon with gradient & blending mode.
Download Source File
Required: Illustrator CS2+

1. Place Images

First, place in the original Adobe Bridge icon image in Layer 1 for reference. Double click on Layer 1 and change the following Layer Options: check Lock and Dim Images to 50%.

2. Start Tracing

Make a new layer. Hold down Ctrl key and click on the Visibility icon of Layer 2 to view that layer in Outline Mode. Now use the Pen tool and start tracing the basic shapes of the sea shell.
Now you should have something like this:

3. Gradient

Select the top layer and apply a 2 colors radial gradient (color 1 = m5, color 2 = c26, m86, y44). Use the Gradient Tool (G) and drag from the lower center to top corner. This will re-position the gradient.

4. Multiply Blending Mode

Now in the Transparency palette, select Multiply Blending Mode. Notice this will create the see through effect.

5. Back Layer

Select the back sea shell layer, fill it with another radial gradient (color 1 = c21, color 2 = c26, m86, y44). Again, you need to use the Gradient Tool to position the gradient. Then, select Multiply Blending Mode.

6. Top Layer

Select the top layer and fill it with different color gradient (color 1 = m5, color 2 = c33, m95, y62). Again, select Multiply Blending Mode.

7. Eyedropper

Select the rest of the unfilled paths, use the Eyedropper tool and click on the top layer to copy the gradient fill. To get the best result, you might need to use the Gradient Tool to adjust the gradient position of each shape.

8. Icon Base

Make a rectangle box and then apply 25pt round corner (Effect > Stylize > Round Corners).

9. Drop Shadow

Now go to Effect > Stylize > Drop Shadow and apply the following setting:

10. Gradient

Use the Gradient Tool and apply a 3 colors gradient as shown (color 1 = k0, color 2 = k16, color 3 = k13).

11. Add New Stroke

To make an inner glow effect, we need to add a new stroke. in the Appearance palette (top right corner dropdown menu), select Add New Stroke.

Align Stroke Inside

In the Appearance palette, selct the new added stroke, fill it with 4pt white stroke color. Then open the Stroke palette, and click on Align Stroke to Inside.

12. White Background

Notice when you place the sea shell on top of the icon base, the sea shell is see-through because the blending mode has been set to multiply? We can get rid of that by adding a white background to the sea shell. First copy the entire sea shell to clipboard, then merge the current sea shell by Alt-click on Add to shape area (Pathfinder palette).
Then, Ctrl+F to paste the copied sea shell in front.

Final

The image on the left is my version and the image on the right is the original version.

iTune Icon  Illustrator CS6 Tutorial

The challenge of this tutorial is to use various Blending modes and blending techniques to replicate the iTune icon. This tutorial is a good exercise to master your Blend techniques.
Download Source File
Required: Illustrator 9+

1. Basic Shapes

Start making the basic shapes of the iTune icon. If you need help on how to trace from an image, visit my Tracing Photo tutorial.

2. Music Note

Make a glossy orb by using my Glossy Button technique. First, make 3 shapes from light color to dark color. Go to Object > Blend > Blend Options, select Specified Steps = 128. Then select all 3 shapes and press Ctrl + Alt + B or go to Object > Blend > Make.

Reflection

Make an oval shape and fill with black-white gradient. Make sure the black color is full black (C,M,Y,K=100). Drag it on top of the orb and select Screen Blending Mode.

Highlights

Make a tall vertical rectangle and an elongate circle; then Blend it. Duplicate it by Alt-drag to the right.
Make a 3 color gradient path.
Make another highlight using the same Blending technique as in the previous step and select Screen Blending Mode.

3. CD

Use the Gradient tool and fill the CD shapes with white-grey gradient.

Rainbow Gradient

Make some multi-color line strokes as shown below. Make sure the first and last stroke is white because it will be transparent. Use the Blend Tool (W), click on the edge of each stroke starting from left to right.

Mask

Use the CD shape and mask the rainbow gradient by Ctrl+7 or Object > Clipping Mask > Make. Then select Multiply Blending Mode and adjust the Opacity to 26%.
Repeat the previous step to make another rainbow gradient.

4. Music Note Refection

Make 3 oval paths, make sure the outer path is white color(this will make a glow effect). Select all 3 paths, go to Object > Blend > Make (Ctl+Alt+B).
Drag it below the music note and select Multiply Blending Mode , 37% Opacity. Duplicate the refection object by Alt-drag to the right side.

5. Drop Shadow

The last step is to apply a Drop Shadow effect to the CD. Select the outer CD path, go to Effect > Stylize > Drop Shadow and apply the following setting:

Final

Here is the final iTune icon!